About This Film Project

 

Synopsis

 

Screen Shot

 

  D-Man is a documentary film about art resurrecting life. It starts with a group of dance students learning one of the most important works of art to come out of the age of AIDS — Bill T. Jones’ tour-de-force, D-Man in the Waters. Bill T. Jones is arguably the most socially, politically and emotionally compelling choreographer alive today. Twenty-seven years ago he embedded stories of risk and sacrifice, love, loss and resurrection in the choreography for D-Man in the Waters. Today by learning the dance, a new generation reinvigorates the spirit of an oft forgotten history.

Bill T. Jones and seven of his former dancers remember returning to the studio in 1988, reeling from the recent loss of co-director, Arnie Zane, to AIDS. In the face of their grief they began to make a new dance called Waters. But only weeks into rehearsals, a beloved member of the company, Demian “D-Man” Acquavella, was diagnosed with full-blown AIDS. In an extraordinary series of interviews, in archival material, and using uniquely powerful dance cinematography of the present day company, the film traces the making of the dance over the next six months.

The dance was created as Demian’s health deteriorated, and what started as a lighthearted ballet about the movement of water became a penetrating comment on surviving the deluge of a plague. Renamed, D-Man in the Waters in honor of Demian’s valiant struggle, the dance brought a battle-scarred company, the New York intelligentsia, Demian’s Brooklyn-Italian family, and Demian himself, to that transformative and controversial boundary between life and art.

The film begins in a dance studio in 2016 where former Bill T. Jones/Arnie Zane Company dancer, Rosalynde LeBlanc, begins to teach D-Man in the Waters to nine university student dancers. As the dancers learn the material, we get to know them as individuals. We see their difficulties in reaching the history that gave birth to the dance, and eventually how their understanding deepens.

In present day, the ensemble struggles to reinvigorate a dance that has absorbed the spirit and complexity of a time they did not live through. In the climax of the film, this group of students, for whom AIDS is not a body memory, rehearses with Bill T. Jones, whose body moves with the weight of a lost generation. By opening night, these young people go from imitating steps to embodying a real call to action. They discover what galvanizes their generation in 2016 with the urgency that the AIDS crisis did in 1989.

D-Man is a story of resurrection, then and now. In this lyrical documentary, the past and present collide and converge in images, memories and movement, to reveal the stories beneath the surface of this most successful dance of the Bill T. Jones canon. D-Man will transcend the genre of dance documentary, letting dance be the story and serve the story in dynamic and visceral sequences that allow history, once lived, to move again.

Watch the D-Man Fundraising Sizzle Reel

 

Filmmakers


 

 

Original D-Man Cast Members





 

Rosalynde LeBlanc danced with the Bill T. Jones/Arnie Zane Dance Company (1993-1999), and Mikhail Baryshnikov’s White Oak Dance Project (1999-2002). She has also worked with film directors, Burt Barr, John Turturro, Gretchen Bender and Matthew Rolston and she can be seen in the short film, Roz; the PBS Specials, Still/Here, Free to Dance, Dancing in the Light, A Good Man; and in the feature film, Romance and Cigarettes. Ms. LeBlanc is a leading figure in the legacy and pedagogy of Bill T Jones. She re-stages his work around the country and runs the Jones/Zane Educational Partnership at Loyola Marymount University – Los Angeles where she teaches full time.

 

Tom Hurwitz, ASC is one of America’s most honored documentary cinematographers. Winner of two Emmy Awards, the Sundance and Jerusalem Film Festival Awards for Best Cinematography, Hurwitz has photographed films that have won 4 academy awards and several more nominations (most recently for Dancemaker and Killing in the Name). His features and television programs have won literally dozens of awards, Emmy, Dupont, Peabody, Directors Guild and film festival awards for Best Documentary, over the last 25 years — most recently were Emmy Awards for Best Documentary Specials for the PBS show Jerome Robbins and the PBS series Franklin, and Sundance Awards for Queen of Versailles, and Love Free or Die,  on all of which Hurwitz directed the photography. His recent film, Nothing Left Unsaid: Anderson Cooper and Gloria Vanderbilt, was shown at Sundance and on HBO.

Other award-winning films and programs that he has photographed include: Valentino: The Last Emperor, Harlan County USA, Wild Man Blues, My Generation, Down and Out in America, The Turandot Project, LibertyDolley, Faith and Doubt at Ground Zero, for PBS; and I Have a Dream, for ABC; and Killing in the Name, and Questioning Faith for HBOIn addition, films that he has directed have won the Cine Golden Eagle (for Bombs will Make the Rainbow Break) and have been shown in festivals around the world.  He is also a founding member of the faculty of The MFA Program in the Social Documentary, at New York’s School of Visual Arts. He lives in Manhattan with his wife, the Jungian analyst Margaret Klenck. He has three grown children and five grandchildren.